

The movie features an ensemble cast that includes Urvashi, Kalaiyarasan, Balu Varghese, Guru Somasundaram, Sujith Shankar, Manikandan R. Even the genre of the film is something that will entice the audience comprising both families and youngsters. The dynamic and zestful pace of the movie makes it a treat to the audience’s eyes and minds. The storytelling method is far from the usual filmmaking and has never been seen in Malayalam cinema. Looking forward to the release of Charles Enterprises, Director Subhash Subrahmanian discussed the movie, saying, “ The film carries a unique style in narrating the story of a Ganesha idol and several people surrounding it in the backdrop of an urban area.

His short films were selected for the international short film festival of Kerala, and many of them have gone on to win awards.

Subhash Lalitha Subrahmanian, a passionate filmmaker started his creative career as a director by making short films and musical promos in Malayalam & Tamil. Ravi steals a Ganesha idol from his mother, Gomathi, a profound devotee, and later tries to overcome the ensuing crises and reclaim his life, which becomes more difficult due to the social situation thoroughly affected by the pandemic. The family drama, entwined with humour, thrill, friendship and love will see a pan- India and overseas release in markets of USA, Canada, UK and Australia.Ĭharles Enterprises is a fascinating depiction of Ravi Kumaraswamy’s life, a young man from Kochi suffering from night blindness, a congenital disability. The film is directed by Subhash Lalitha Subrahmanian. MUMBAI, 2 MAY, 2023 (GPN): Joy Movie Production and Reliance Entertainment are proud to announce the release of Charles Enterprises, a social satire, in India and globally on the 19 th of May. The parts that Nithin pulls off well are the ones set during the emergency period and in the role of the scientist.“Charles Enterprises”, directed by Subhash Lalitha Subrahmanian, stars Urvashi, Kalaiyarasan, Balu Varghese, Guru Somasundaram, Sujith Shankar, Manikandan R. You almost wish for slightly better emoting in those parts. As a person torn between the love for his family and longing for finding about his past, he gets a lot of emotional scenes in the first half where he pulls through with difficulty. It is Nithin Prasanna as the protagonist who gets the author-backed role or shall we say roles.

Preethi Asrani, playing Pallavi is apt for the part. She is written as a normal human, like any of us who reacts differently in different situations. The movie lends her an empathetic lens, avoiding deifying her self-less acts or demonising her nagging of her husband. Her family life is in a way an extension of her day job. She gives him a name and home by marrying and caring for him. He has a past that he has forgotten after an injury and was rescued by a medical worker. Everything seems normal on the surface, but the man is tormented by nightmares/visions of a past. The movie opens with the micro: a small family of Husband, wife, daughter and mother-in-law. Mahabharata thread runs throughout the runtime – there are characters named Arjun and Ashwathama, an important trigger to the plotline comes from discussions around a family tree, a similar trigger led to the epic battle of Kurukshetra. But the core is of a family drama involving two families – one a loving everyday household and the other reminiscent of the warring family of the Mahabharata. Director Ugandhar Muni’s A: Ad Infinitum is primarily a medical thriller with a decent mix of references from mythology and history.
